Yes!!! Interactive Shakespeare!!! Everyone in the audience got a little baggie with a twig, a blue fan (the colour is of importance), a clothes pin, a poem, a paper crown, but also stones, carrots,stars. And then we turned into trees, waves, we got glowing stones for a barbeque, little boxes that made sheep sounds and bells, so that we could play goats. We clapped, sang along with the actors, some audience members even got on stage to dance. To say that was brilliant would be underselling this event.
Add to that a fantastic cast, led by the goddess Hymen (Robin Hutton) who directed the audience both on stage and in the rows and magic is happening.
Set in the 1980ies in Newfoundland (one actor spoke the dialect but was mercifully translated … damn, it’s a totally different language) you have daring costumes (yes, we did wear that kind of atrocities in public. May those times never return!!) the story about a disgraced duchess who runs into the woods, a young woman, Rosalind, who is cast out by her uncle (Scott Wentworth) and flees with his daughter into the woods while dressed as a man, followed by Orlando, another cast away younger son,who’s in love with Rosalind, meeting a Shepard and his shepardess, finding shelter, becoming better versions of themselves and finally finding the love they all were looking for – with a little help of a goddess of course. It could be a fluff piece but it fits right into the festival’s theme of fugitives, finding new home and happiness despite large obstacles being shoved at the individuals.
Robin Hutton was a brilliant Maître d. , organising the audience with the help of the actors, so that in the end we all were part of the play.
I also love to see actors doing Macbeth one day and As you like it the next (or like Scott Wentworth As you like it as a matinee and John Gabriel Borkman in the evening) – it shows off the great range of talent this rare company possesses. It was an amazing play and is definitely must see theatre in the best Shakespearian way.